This IDC Insight provides an overview of vendor announcements at the 2005 AIIM On Demand tradeshow.
Voyage to the Planets and Beyond (2004)
Architecture Without Shadow

Architecture has always been a central subject matter for photographers. For most of the 20th century, however, the practice of architectural photography has been a professional endeavor; anonymous photographs taken for clients for specific, commercial reasons. This book concerns itself with another, rarer, topic: the photography of architecture as an art practice. It considers the work of seven contemporary photographers who use buildings in their work in a new way. In these photographs, they respond to the work of prominent architects by creating their own interpretations. Here are Andreas Gursky’s photos of the Stockhom Library by Gunnar Asplund, Tomas Ruff’s photos of several works by Herzog & de Meuron, Hiroshi Sugimoto’s photos of Le Corbusier’s Villa Savoye, as well as works by Candida Hofer, Jeff Wall, Gunther Forg, and Balthasar Burkhard. A beautiful and valuable book on one of the prominent movements in contemporary photography.
The Life of Riley: Why am I so big?
Shimmer (Riley Bloom)
Kinch Riley / Indian Territory
Newton, Kansas, 1871: One is a young drifter alone in a lawless land. The other is an aged gunfighter well-versed in the bawdy wonders of a wide-open boomtown. When these two lost souls come together one August night, and battle a band of Texas outlaws, the legend of Kinch Riley will be bornâ¦.
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INDIAN TERRITORY
When hired gun John Ryan heads into Indian Territory with a brawling crew of railroad workers, a battle of bloodshed and treachery ensues. But when he later meets the proud Cherokees–and the beautiful daughter of and embattled chief–Ryan sees for himself how his employer’s steel rails are splitting the heart of a people’s last home. Can his conscience keep him from pulling the trigger?
Film, Faith, and Cultural Conflict: The Case of Martin Scorsese’s The Last Temptation of Christ
Scorsese’s 1988 film The Last Temptation of Christ arguably generated more resistance and conflict upon its release than any film before or since, engendering intense debate and even hatred between religious conservative protesters and liberal progressive defenders of the picture. This is the first full examination of the controversy, its participants, and their claims concerning the film’s religious meaning.
This debate reflects deep levels of social and cultural insecurity produced by the shifting role of religion and religious language in an increasingly secularized society, and demonstrates how a popular film about Jesus captured, inflamed, and strengthened existing animosities. Providing new insights into film’s significance as an indicator of the changing relationship between secular and religious domains, the work offers a thorough and fascinating historical analysis of the various interpretations of Last Temptation and its reception.
Film, Faith, and Cultural Conflict: The Case of Martin Scorsese’s The Last Temptation of Christ
The 20th Century: A Retrospective
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